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José
Luis Duval
Tenor
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Exciting
Mexican tenor José Luis Duval has thrilled audiences in some of
the best theatres in his native country, South America, the United
States, and Europe, in both opera and zarzuela.
Born
in Guanajuato, Mr. Duval began his musical studies at an early
age with Maestros Pedro Magaña and Gilberto Avalos, and received
a scholarship from SIVAM, which allowed him to work with Maestros
Enrique Patrón, Teresa Rodriguez, Nico Castel, Denise Massé, Joan
Dornemann and Linda Hall. He has also coached with Jeffrey Goldberg,
Lucy Arner, and Richard Barrett. He has sung under the direction
of such conductors as Maestros Placido Domingo, Enrique Patrón,
Alfredo Silipigni, Miguel Roa, Ronald Zollman, and Jorge Mester.
Mr. Duval was conducted by Placido Domingo in the zarzuela Luisa
Fernanda in Mexico, and was invited by Maestro Domingo to
perform the zarzuela Doña Francisquita with The Washington
Opera.
At
the Bellas Artes, he has sung such roles as Manrico in Il
Trovatore, and Loris in Fedora, alternating with
Placido Domingo. He sang Rodolfo in La Boheme with the
Pittsburgh Opera, and throughout Mexico, he has sung Calaf in
Turandot, Pinkerton in Madama Butterfly, Cavaradossi
in Tosca, and Don José in Carmen, among others.
He has sung Orff’s Carmina Burana, Handel’s Messiah,
the Verdi Requiem, the Beethoven Ninth Symphony,
Paulus, and the St. Matthew Passion. Mr. Duval
has also starred as The Phantom of the Opera, and appeared
in Master Class.
Recent
engagements in Mexico included Carmina Burana, the Verdi
Requiem, Don José in Carmen, and Alfredo in La
Traviata in Guadalajara. He then sang Cavaradossi with the
Fresno International Grand Opera, Pollione in Norma with
the Orquesta Filarmónica de Gran Canaria, Pinkerton in Madama
Butterfly with the Palm Beach Opera, and Turiddu in Cavalleria
Rusticana at the Bellas Artes. Mr. Duval was invited by Placido
Domingo to be his cover as Dick Johnson in La Fanciulla del
West, to cover the role of Calaf in Turandot, and
to sing the role of Ismaele in Nabucco with the Los Angeles
Opera. Immediately after that, he sang Calaf in Turandot
with the Connecticut Opera, and then Rodolfo in La Boheme
with the Houston Grand Opera.
In
May 2003, he sang the role of the Duke in Rigoletto with
the New Orleans Opera, Pinkerton in Madama Butterfly
with the Baltimore Opera in June, and in July, he sang the role
of Don José in Carmen at the Bellas Artes, where he also
did a gala concert at the Bellas Artes, in which he sang excerpts
from Aida, Mefistofele, Faust, and
Lucia di Lammermoor. He then sang Cavaradossi in Tosca
with the Piedmont Opera Theatre and Ismaele in Nabucco
with Opera Carolina. In January 2004, he sang the role of The
Voice in the Forge and the Flamenco Singer in La Vida Breve
with The Dallas Opera, starring Denyce Graves. He also sang the
role of Paco in their student performances, and in May 2004, he
sang the role of Don José in Carmen with the Baltimore
Opera. The following June, he sang the role of Radames in Aida
at the Bellas Artes, where in September 2004, he sang the role
of Cavaradossi in Tosca.
In
October 2004, he joined the Metropolitan Opera to cover the roles
of Rodolfo in La Boheme in November and February, and the Italian
Tenor in Der Rosenkavalier in March and April 2005. On February
9th, 2005, he made his Metropolitan Opera debut as Rodolfo in
La Boheme on three hours notice when he replaced Roberto Aronica.
Mr. Duval subsequently did two more performances, including his
Met Broadcast debut on February 19th and was very warmly received.
He also covered the role of Edgardo in Lucia di Lammermoor at
the Met. On March 3rd, 2006, he made his scheduled Met debut as
Alfredo in La Traviata and was again very warmly received.
On
May 25th, 2005, Mr. Duval was asked on very short notice and with
only one rehearsal, to replace Marcello Giordani as Cavaradossi
in Tosca with The Washington National Opera. He had a
personal triumph and received a glowing review in The Washington
Post, devoted almost entirely to his performance, with a headline
that read, “Duval Shines in Washington Opera’s ‘Tosca’.
In
July 2005, he sang the role of Calaf in Turandot at the
Bellas Artes, in October 2005, the role of Riccardo in Un
Ballo in Maschera with the Piedmont Opera Theatre, and in
March 2006, he sang Pinkerton in Madama Butterfly with
Opera Columbus. In November 2006 he will sing Ismaele in Nabucco
with The Dallas Opera, in January 2007, Pinkerton in Madama
Butterfly with Arizona Opera, and in September and October
2006, performances of Alfredo in La Traviata, Radames
in Aida, Cavaradossi in Tosca, and the Duke
in Rigoletto in Prague. Upcoming performances at the
Met next season will include the Duke in Rigoletto, Alfredo
in La Traviata, and Rodolfo in La Boheme.
José
Luis Duval Repertoire
| COMPOSER |
OPERA |
ROLES |
| BELLINI |
Norma |
Pollione |
| BIZET |
Carmen |
Don José |
| BOITO |
Mefistofele |
Faust* |
| DE FALLA |
La Vida
Breve |
Paco,
Voice in the Forge,
Flamenco Singer |
| DONIZETTI |
Lucia
di Lammermoor |
Edgardo |
| GIORDANO |
Fedora |
Loris |
| GOUNOD |
Faust |
Faust* |
| MASCAGNI |
Cavalleria
Rusticana |
Turiddu |
| OFFENBACH |
Les Contes
d’Hoffmann |
Hoffmann* |
| PUCCINI |
La Boheme
La Fanciulla del West
La Rondine
Madama Butterfly
Manon Lescaut
Tosca
Turandot
|
Rodolfo
Dick Johnson
Ruggero*
Pinkerton
Des Grieux
Cavaradossi
Calaf |
| STRAUSS |
Der
Rosenkavalier |
Italian
Tenor |
| VERDI |
Aida
Un Ballo in Maschera
Don Carlos
Luisa Miller
Macbeth
Nabucco
Rigoletto
La Traviata
Il Trovatore
|
Radames
Riccardo*
Don Carlos*
Rodolfo
Macduff*
Ismaele
Duke
Alfredo
Manrico |
*In preparation
SYMPHONIC
REPERTOIRE
| COMPOSER |
SYMPHONIC
WORK |
| BACH |
ST. MATTHEW
PASSION |
| BEETHOVEN |
NINTH
SYMPHONY |
| HANDEL |
MESSIAH |
| MENDELSSOHN |
PAULUS |
| ORFF |
CARMINA
BURANA |
| VERDI |
REQUIEM |
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